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Usually, at this part Nate Jones World Baseball Classic Jersey , my mix isn’t all that far off the mark, but many times there is something missing. A lot of times the tracks aren’t sitting right. Even though, I use all sorts of hidden delays and reverbs, the tracks don’t usually feel ?alive?.


Run Every Track Through A Delay


When the mix almost there, but just not quite right Mychal Givens World Baseball Classic Jersey , it’s time to fire up a delay on an aux send. Lately, I’ve been using a Waves plugin for this, but you could probably just about any delay. I like to use 2 taps and pan them quite wide. I’ll do a tap tempo to get the delay to fit with the tempo of the song. This is a great way of hiding the delay a little bit. Of course, if the song wasn’t played to a click and speeds up and slows down, you have to turn the effect down considerably.


I solo the delay aux send and Matt Carpenter World Baseball Classic Jersey , of course, I hear nothing at first. Then I grab the kick drum and send. Of course, it sounds really stupid being ran through a delay panned very wide like this, but that is the whole point. Then I’ll grab the snare, overheads Marcus Stroman World Baseball Classic Jersey , toms, etc. You have to be very careful with drums because they are transient based instruments. This means that you will hear a pop…..pop…pop. If you were using a RMS based instrument such as strummed electric guitar, the taps of the delay wouldn’t be so obvious. So with that in mind, I keep the aux sends on the drums down very very low.


I go through the entire list of tracks until I’ve used pretty much every track on the session. I want every track to go through this one delay. If you do it right, you can get a nice blend between all the instruments in the delay channel itself. It sort of sounds like your in a bathroom at a live show or something.


Use An EQ To Suck Out the 125-400Hz Mud


After you have a decent mix Luke Gregerson World Baseball Classic Jersey , in the solo’d aux send, start to blend it into your tracks. You’ll probably find that drums have to be down quite a bit. You may also noticed that if your bass is loud in the delay, you’ll have mud city. This is certainly not going to do a damn thing for your mixes. So grab an eq and suck everything out between 125-400Hz. I get fairly aggressive with mine. I may suck out 12dB or more. This a trick that is design